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Deep Fried Grandeur has a certain shelf life, but then again, the spirit of its origins was all about bright, short-lived sparks. The shifts are gradual, never on a dime, and the ride doesn’t toy with your memory by returning to melodic motifs after long, digressive stretches. It’s more like hopping in their backseat while they cruise through some hilly countryside roads that nobody knows intimately well, but aren’t brutally tough to navigate. What Deep Fried Grandeur doesn’t have is that back-pocket compass of the best semi-rehearsed, semi-improvised jams, the kind where you have no idea where it’s headed but still give yourself over to it. It’s still a faithful document, and it sounds better trimmed and toned. The pile of sounds from these nine musicians were touched up for the album by Cooper Crain of Bitchin Bajas and CAVE, and comparing the final version to a bootleg of the actual performance reveals modest but shrewd edits: a guitar effect is enhanced here, a transitory section shortened there. Ryu Kurosawa’s scorpion-like sitar pierces the quiet, but soon it takes off sprinting into a wide-open field, flipping into a major-key. In the first half of part two, “Shrinks the Day,” the scenery changes dramatically around a hoedown pulse. With only one afternoon to rehearse, the two bands hit the stage and hit it off.ĭeep Fried Grandeur, split into two halves for vinyl purposes but really a product of about five independent movements, is an instrumental, krautrock-ish noodle journey that spans the spectrum from tactile texture-crafting to supercharged drives. Walker’s Deafman Glance and Kikagaku Moyo’s Masana Temples, both released earlier that year, shared similar cycles of gentle dis- and re-orientation, a sense of constantly interrupted traction, like getting lost in a huge cavernous art museum and passing through vastly different soft-lit rooms while repeatedly finding and losing the exit route.
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The organizers had asked Walker to choose another artist for a one-time jam, and his pick was no head-scratcher. The album, a live collaboration between Walker’s four-piece band and the Japanese psych-prog quintet Kikagaku Moyo, documents their set from the music festival Le Guess Who? in Utrecht, the Netherlands, in 2018 the album’s title is how they appeared on the festival’s bill. In addition, Kaylib already competes on the Paul Laurence Dunbar High School team, and he qualified for state in the 300 hurdles and 4x400m relay. An outstanding and well-rounded student, Kaylib received Beaumont's honorary Mike Sayre Award for excellence in leadership, academics, and athletics.Either way, Walker’s having the last laugh with Deep Fried Grandeur, which was released on Husky Pants after multiple labels passed on it the record recently hit No. State champion in 100 hurdles, 200 dash, and 300 hurdles.County champion in 100 dash, 100 hurdles, 200 dash, and 400 dash.School record-setter in 100-meter dash, 100 hurdles, 200 dash, and 300 hurdles.Tyler Gordon, Hayesīeaumont eighth grader Kaylib Nelson delivered stellar performances all season. Hayes (Montae Ashford, Joel Frese, Barrett Goodwin, Canaan Thomas) Beaumont (Will Naehr, Isaac Cook, Ryan Barrett, Noah Mathews) 4. Tates Creek (Alyjah Hughes, Ernest McCann, DJ Johnson, Pharo Watts) Hayes (Sophia Anderson, Fern Frost, Riley Walker, Ava Wilson) Jessie Clark (ILeanna Wilson, Sophia Cahill, Maggie Cahill, Leah Hukle) 4. Hayes (Riley Walker, Sophia Anderson, Ella Dulaney, Ava Wilson) Jessie Clark (ILeanna Wilson, Sophia Cahill, Maura Whitt, Leah Hukle) 10. Bryan Station (Heavan Dobson, Urijah Allen, Madelline Compton, Mikayla Garrard) Jessie Clark (ILeanna Wilson, Sophia Cahill, Leah Hukle, Kamaya Watts) 7. Hayes (Ryli Patton, Zariyha Clifford, Alaiha Henderson, MiKalee Bennett) 10. Following are the Top 10 individual results from Fayette County Public Schools. In the girls’ competition, Jessie Clark finished fourth and Beaumont was sixth to pace FCPS teams in the statewide meet, which was sponsored by the Kentucky Track & Cross Country Coaches Association. The boys’ track and field team from Beaumont placed second in the 2021 KTCCCA Middle School State Championships on June 5 in Louisville. Culturally Responsive Teaching & Learning.Warehouse (Logistical Services & Purchasing).SBDM Office (School-Based Decision Making Councils).Financial Accounting & Benefits Services.
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Diversity, Equity, Inclusion, & Belonging.Academy for Leadership at Millcreek Elementary.